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20 Oct, 2009
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Avatar (2009) (In Hindi)
“Avatar,” a live action film with a new generation of special effects, takes us to a spectacular world beyond imagination, where a reluctant hero embarks on a journey of redemption and discovery as he leads an epic battle to save a civilization. James Cameron, the Oscar-winning director of “Titanic,” first conceived the film years ago, when the means to realize his vision did not yet exist. Now, after four years of actual production work, “Avatar” delivers a fully immersive cinematic experience of a new kind, where the revolutionary technology invented to make the film disappears into the emotion of the characters and the sweep of the story.
Starring :
Sam Worthington … Jake Sully
Zoe Saldana … Neytiri
Sigourney Weaver … Dr. Grace Augustine
Stephen Lang … Colonel Miles Quaritch
Michelle Rodriguez … Trudy Chacon
Giovanni Ribisi … Parker Selfridge
Joel Moore … Norm Spellman (as Joel David Moore)
CCH Pounder … Moat
Wes Studi … Eytukan
Laz Alonso … Tsu’tey
Dileep Rao … Dr. Max Patel
Matt Gerald … Corporal Lyle Wainfleet
Sean Anthony Moran … Private Fike
Jason Whyte … Cryo Vault Med Tech
Scott Lawrence … Venture Star Crew Chief
Director :
James Cameron
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Dansh (2005)
“Can you rape him?” the distraught wife asks her stunned husband after she encounters her rapist from an insurgent past. 
It’s a damning and defining moment in a film that moves within a closed circle of intimate purgation, creating for itself pockets of passionate introspection as the narration moves from angst to angst.
Like a wild flower blooming in the sinister mountains of Mizoram, “Dansh” is a film that needs careful nurturing. It isn’t an easy watch. Nor is it an abstruse art house film. “Dansh” creates its own niche and then watches its three main characters grow into terrifying emblems of contemporary dereliction.
It shows a husband, Matthew, and his tortured wife Maria suffering the aftermath of a political upheaval in their home. As the legacy of their insurgent past shows up in the form of a drunken doctor (Aditya Shrivastava), the wife Maria (Sonia Kulkarni) realises their guest is the beast who raped and tortured her in the past.
The opposition between a tormented past and a disembodied present is keenly juxtaposed. Debutante director Kanika Verma proves herself to be akin to none of her filmmaking sisters…or brothers for that matter. The intense manner in which she balances political and personal violence provides glimpses of a remarkable talent.
The film’s main theme of three entrapped souls struggling with their conscience in a cavernous house one night is derived straightaway from Roman Polanski’s “Death & The Maiden”. Though Sonali lacks the range that made Sigourney Weaver’s performance in the original blow the screen apart, she nevertheless gets a reasonably accurate feel of her character’s pulse.
Sonali’s Maria is a traumatised woman on the verge of a breakdown. Could she be imagining their guest as her rapist from the past? We’re never quite sure, even when the tortured doctor is made to sign a confession.
In Sonali’s character’s fragile insecurities lies the key to Kanika Verma’s traumatised kingdom. The director’s deals with her heroine’s violent past and immediate demeanour with dispassionate directness. The sequence where Maria hysterically hits out at her alleged tormenter pulls out all stops as far as exceeding the limits of feminine decorum go.
Alas, Sonali is unable to walk that extra mile to keep pace with her director’s vision.
Kay Kay Menon, however, gives a splendidly controlled performance as the husband who must come to terms with his wife’s past trauma and his betrayals and insecurities before the night is through. Doing away with his grimacing mannerisms, Kay Kay gets to the core of his character to extract the elixir of existence from the clenched plot.
The film is partially let down by its third protagonist’s weak performance, and also by some strange and entirely uncalled for songs and poetry that look like bits of Muzaffar Ali floating into Govind Nihalani’s territory.
To the debutante director’s credit, she sure makes telling use of sound. Arun Nambiar’s sound design and Fazal Qureshi’s background score elevate the three-character one-set situation into an emblem of infinite resonance, not all entirely lucid or even coherent, but certainly indicative of a vision that transcends the trite and mundane clichés of on-screen drama.
The bits about Mizoram’s troubled separatist politics don’t jell as well as the triangular character study. Verma doesn’t make as expressive use of her political background as Sudhir Mishra in “Hazaaron Khawishein Aisi”. She’s far more comfortable peering into lacerated lives whose wounds know no healing.
In her endeavour to go for the kill with skill, the director gets remarkable support from two of her main actors and from cinematographer Chirantan Das who seeks bright beams of piercing light in the abject darkness that envelopes the three central lives even as a tentative political dawn opens its arms outside.
Starring:
- Kay Kay Menon … Mathew
- Sonali Kulkarni … Maira
- ditya Srivastava … Dr. John Sanga
Directors:
- Kamika Verma
- Kanika Verma
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Jai Vikraanta (1995)
Choudhary Amar Singh is a farmer in rural India and lives a modest lifestyle with his wife, Sharda, and son, Vikraanta. He excels in sugar cane production and is presented an award and a tractor by the State Government. He has named his farm after his son, and expects him to continue farming.
Amar’s efforts are to remove the debts that he and other farmers have incurred from Zamindars. This does not auger well with Thakur Pratap Singh who arranges Amar’s demise. This incident turns the lives of Vikraanta and Sharda upside down, compelling Vikraanta to make a commitment to avenge his father’s death – not knowing that he himself is placing his very life in jeopardy.
Starring:
- Sanjay Dutt … Vikraanta A. Singh
- Zeba Bakhtiar … Nirmala ‘Nimu’
- Amrish Puri … Thakur Jaswant Singh
- Shahbaaz Khan … DIG Sher Ali Khan
- Suresh Oberoi … Raja
- Deepti Naval … Harnam’s Wife
- Tom Alter
- Nisar Ahmad Ansari … Jaswant’s father
- Jayshree Arora (as Joyshree Arora)
- Bindu
- Birbal … Vikraanta’s friend
- Bob Christo
- Aruna Irani … Sakina
- Saeed Jaffrey … Police Commisioner
- Farida Jalal
- Mukesh Khanna … Thakur Harnam Singh
- Reema Lagoo … Sharda A. Singh
- Johnny Lever … Stage Actor
- Jaya Mathur
- Mac Mohan
- Anil Nagrath
- Alok Nath … Choudhry Amar Singh
- Rajendra Nath … Cockfight referee
- Ranjeet … Inspector Khote
- Sabeeha … Sher Ali Khan’s wife (as Sabiha)
- Joginder Shelly … Cockfighter (as Joginder)
Director:
- Sultan Ahmed
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Naulakha Haar (1953)
Devla is married in a prominent Rajput family located in Mandavgar. Her sister is also married in this family. Their brother, Mahil Rai Podiyal, is bitter about this and plots with Kiriya Rai, which results in Kiriya’s vain attempt to steal a valuable necklace, losing his reputation and his sword.
Thus humiliated he returns, plots his vengeance, returns back, kills Devla’s and her sister’s husbands, steals the necklace, sets fire to Mandavgar, takes an elephants and a magical flying horse with him, and hangs the scalps of his victims on the doorway to his palace.
Devla swears to avenge this humiliation. Now 19 years later, Devla’s son, Udal, has grown up and is told about his past. He decides to kill Kiriya, but finds out that he is Bijma’s, the woman he loves, brother. Kiriya finds out about this and forbids Bijma from seeing him again. Nevertheless, Udal sneaks into Bijma’s, who is learning magic, room. When Kiriya knocks on the door, Bijma magically transforms Udal into a parrot, but Kiriya wrings it’s neck and tosses it from the balcony. With Udal’s neck wrung, how will Devla carry out her vengeance?
Starring:
- Arvind … Udal Rai Banafur
- Ishwarlal … Kiriya Rai
- Jeevan … Mahil Rai Padiya
- Durga Khote … Devla
- Meena Kumari … Bijma
- Praveen Paul … Devla’s sister
- Nirupa Roy … Lakha Beipur
- Sunder … Dheva
Directors:
- Harsukh Jagneshwar Bhatt
- Bhalchandra Shukla
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Gair Kaanooni (1989)
Starring:
- Sridevi … Laxmi
- Govinda … Om Narayan
- Kimi Katkar … Rita
- Ranjeet … Robert DeCosta
- Satyendra Kapoor … Nathulal (as Satyen Kappu)
- Tej Sapru … Tony DeCosta
- Mukri … Chinnappa Malappa Shetty
- Pinchoo Kapoor … The Judge
- Aruna Irani … Bantho
- Rohini Hattangadi … Mrs. Devi Khanna
- Ashalata Wabgaonkar … Mrs. Asha Dalal
- Sagar Solanki
- Viju Khote … Police Inspector
- Moolchand … Om’s prospective father-in-law #2 (as Mulchand Late)
- Micky
Director:
- Prayag Raj
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